Ivan - Drama school entrance tutor - London
1st lesson free
Ivan - Drama school entrance tutor - London

Ivan's profile, diploma and contact details have been verified by our experts

Ivan

  • Rate €58
  • Response 1h
Ivan - Drama school entrance tutor - London
  • 5 (5 reviews)

€58/h

1st lesson free

Contact

1st lesson free

1st lesson free

  • Drama School Entrance

MA Actor & Director | Master High Stakes Drama School Auditions & Excel Under Redirection

  • Drama School Entrance

Lesson location

Recommended

Ivan is a respected tutor in our community. He is highly recommended for his commitment and the quality of his lessons. An excellent choice to progress with confidence.

About Ivan

PROFESSIONAL BIOGRAPHY

I am an International Professional Actor, Director, and Writer holding a Master of Arts (MA) in Acting from the Academy of Dramatic Art in Zagreb, Croatia. Alongside my formal degree, I have continuously refined my craft through specialised international masterclasses and industry workshops led by world-class icons, including Tony Award-winning master physical actor Bill Irwin and legendary BAFTA-winning casting directors Kate Rhodes James and Francesco Vedovati.

My career began as a child actor in 1994, and I have worked continuously at the highest professional level since 2005. Over the last two decades, I have brought more than 70 roles to life across major national theatres, feature films, and television - ranging from classical and contemporary drama to major musicals and cabarets - alongside over 70 professional voice-acting credits for major international animated feature films.

Throughout my career, I have shared the stage with world-renowned classical icons like Rade Šerbedžija and Tony Award-winner David Shiner. Having directed 6 diverse professional theatrical productions—ranging from Shakespearean tragedy to contemporary musicals and cabarets—I have spent years sitting on both sides of the audition table. I know exactly what directors and casting panels look for when evaluating a performer's dramatic presence.

DRAMATIC COACHING EXPERIENCE

As a coach, I have worked across the entire spectrum of development:
• Mentoring drama school applicants through rigorous entry exam preparation.
• Guiding high school students in drama studios to build foundational skills.
• Coaching professional actors working on specific film, TV, and stage roles.
• Training a principal mezzo-soprano for her highly celebrated, intensely physical title role performance in Bizet's Carmen at the Croatian National Theatre Ivan pl. Zajc.

(Note: You can read the full, verified recommendations from both Tony Award-winner David Shiner and Principal Mezzo-Soprano Ivana Srbljan in the recommendations section at the bottom of this profile.)


PROFESSIONAL CREDENTIALS & AFFILIATIONS

• Member, HZSU – Croatian Freelance Artists Association (State-recognised elite independent artist status)
• Member, HDDU – Croatian Association of Dramatic Artists
• Master of Arts (MA) in Acting – Academy of Dramatic Art, University of Zagreb
• Advanced International Training: Industry & Craft Workshops with Bill Irwin (Tony-Winner), Kate Rhodes James (Gladiator II, House of the Dragon), and Francesco Vedovati (BAFTA-Winner)
• Guest Director & Performer across major European and State-Subsidised National Theatres, including:
- Ulysses Theatre (Prestigious International Classical Summer Festival)
- Croatian National Theatre in Varaždin (Elite State Opera & Classical Drama House)
- Zagreb Youth Theatre / ZKM (Renowned Avant-Garde & Contemporary Repertory Theatre)
- Komedija City Theatre (Major Musical Theatre & Lyric Stage Productions)
- Gavella Drama Theatre (Leading National Stage for Classical & Modern Drama)
- Kerempuh Satirical Theatre (Premier National House for High Comedy and Satire)

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About the lesson

  • All Levels
  • English
  • Croatian
  • Serbian

All languages in which the lesson is available :

English

Croatian

Serbian

THE ACTIVE REHEARSAL: TRANSFORMING AUDITION PRESSURE INTO CREATIVE FREEDOM

Top drama school panels are not looking for a polished, finished product or a rehearsed, predictable performance. They sit through thousands of candidates delivering the same safe, mechanical lines. What panels actually crave is raw potential: emotional honesty, a dangerous imagination, and above all, trainability.
They want to see what happens when they throw an unexpected note at you. If you are stuck in your head clinging to a rigid plan, you will freeze. My studio operates as an active, collaborative rehearsal room. We dismantle the calculated plan of how to say a line or how to feel an emotion so your raw, natural instincts can take over and surprise the panel.

THE CORE PILLARS OF OUR AUDITION WORK:
• Commanding the Redirection: The audition isn't won on your first run; it’s won on how you handle adjustments. I train you to instantly drop your plan, stay fluid, and use a panel’s sudden, confusing, or contradictory notes as an immediate catalyst for a fresh performance.
• Responding to the Text, Not the Mirror: We stop choreographing gestures, planning facial expressions, or practising in front of a mirror or a mobile screen. You will learn to look at your contemporary, classical, or musical theatre piece and let the words hit you in real-time, making your delivery unpredictable, dangerous, and alive.
• Overcoming the Fear of Being "Wrong": I create a high-energy, radically creative space with zero pressure to give a "perfect" performance. By letting go of the need to be a "good student," you unlock the authentic, magnetic truth that makes a panel sit up.
• Directorial Insight on the Script: Sitting on both sides of the audition table has taught me exactly how panels evaluate presence. We will analyse your script's architecture together so you understand the scene's engine, ensuring your wild instincts always serve the story.

WHAT WE FOCUS ON:
• Mastering Diverse Repertoire: Applying this instinct-led approach across different genres and forms. We adapt the work to the specific demands of your material, whether you are tackling a contemporary play, a classical text, or a musical theatre song.
• The Psychology of the Audition Room: Building the deep, unshakeable confidence you need to command the physical space the moment you walk through the door under intense pressure.

(Note: To read the full endorsements from Tony Award-winning physical theatre director David Shiner regarding our high-pressure physical instinct work and drama school student Dino regarding our foundation entry-exam preparation, please scroll to the recommendations block at the absolute bottom of this page.)

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Rates

Rate

  • €58

Pack prices

  • 5h: €263
  • 10h: €467

free lessons

The first free lesson with Ivan will allow you to get to know each other and clearly specify your needs for your next lessons.

  • 30mins

online

  • €58/h

Details

PRICING STRUCTURE & ONLINE STUDIO POLICIES

• First Lesson Free: Your first complimentary session is a dedicated 30-Minute Online Audition Repertoire Strategy Consultation. We will review your monologue selections (contemporary, classical, or musical theatre) and plan your preparation timeline. Full 60-minute coaching sessions are charged at the standard hourly rate.

• Block Bookings: I highly recommend the 5-hour or 10-hour packages for audition prep. Getting monologues to a competitive, panel-ready standard requires consistent, structured rehearsal.

• Location: All training is delivered 100% online, allowing you to prepare for your high-stakes conservatoire auditions from the comfort of your own rehearsal space.

• Cancellation Policy: A strict 24-hour notice is required for all cancellations or rescheduling. Sessions cancelled with less than 24 hours' notice will be charged at the full rate.

Ivan's Video

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